This was shot for the Vimeo Video School. It is really basic basics for the total newbie. It keeps in nice and simple for the people who don’t know anything. For more in depth education check further tutorials on the education section of my website or get one of the excellent F-Stop Academy Training videos linked below!
FROM VIMEO VIDEO SCHOOL:
Keys to getting the best looking footage while shooting.
You get the most control over your video when you shoot in Manual mode, usually indicated by the letter M on your top settings dial. The Manual setting gives you control over the aperture and shutter speed. Shooting this way takes a little bit of work, but it’s worth it, and after you experiment a bit, you’ll start to get a good feel for the settings!
ISO is a camera setting that changes how sensitive the camera’s sensor is to light. The higher the ISO, the more sensitive the sensor will be, which allows you to shoot better images in low light conditions. It’s a good idea to keep your ISO as low as possible for the best looking image. Sometimes, you’ll need to bump it up a bit if there isn’t a lot of light.
Good ISOs: 160, 320, 640, 1250, and 2500
Avoid using: 125, 250, 500, and 1000. These ISO settings create noise and make your footage look grainy.
White balance is the process of capturing the correct colors for the type of available light. Think of it as making sure the color white is always white, and doesn’t have blue or red tints. Many cameras come with an easily understandable white balance menu, as well as an auto white balance feature.
Use the presets for whatever condition you’re shooting in.
Depth of Field (DOF) refers to the part of your image that is in focus. A deep DOF will show nearly everything in the shot sharply in focus. If you have a shallow DOF, a narrow range with in your video image will be in focus. A shallow depth of field allows for greater emphasis to be placed on your main subject.
Using slow, and controlled movements while your camera is attached to a tripod will give you the best shots. A good technique to try when you pan from side to side is to hold your shot for about ten seconds, then start your slow pan, and then hold your shot another ten seconds before cutting. This gives you three different shots to work with when it comes time to edit!