Bio

 

Shooting a commercial with Kevin Spacey

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Some of my recent clients

Some of my recent clients

For the past 23+ years I have been following my passion as a career and it has taken me around the world to places I have felt privileged to have seen.

I have filmed, directed and edited short films, documentaries and much more from Clapham to Cambodia and in 2005 I was short listed for a BAFTA craft award for my series of short films for Sky News “If I were Prime Minister”

I consider myself as one of the new breed of digital cinematographers. Over the past 5+ years I have become one of the leading world evangelists for the low budget film look. Through cameras like the Canon 5DmkII and more recently the Panasonic AF100 and Sony F3. Please visit my DSLR films section to see just how beautiful they look. I have used these DSLRs on all sorts of projects from music videos to commercials and documentaries. I recently was also the 5D Cinematographer on the new WWII movie from Lucasfilm, “RED TAILS” and shot the BAFTA/ RAINDANCE winning documentary “How to start a revolution”.

I bring a real passion, energy and dedication to your project no matter how big or small it is. I  will always deliver the absolute best that I can every single time.

My site has also gone from becoming a place to showcase my work to a place for people to learn and share. There is a wealth of information on my site for both the seasoned and junior film maker. I hope you find it useful. We all need as much help as we can get to make it these days and I hope I can help.

Philip Bloom

Shooting on Lucasfilm's "Red Tails"

 

 

Shooting the Canon 5DmkII on "Red Tails" for Lucasfilm

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Comments

  • Hi,

    I am simply amazed by your work. Ever since I discovered the existence of 35mm adapters, which was through your work I gained a lot of confidence in moving from still to moving images.

    I moved to California 6 years ago from Europe. Have spent some tome in London with my wife prior to coming to the US, so Piccadilly made us very emotional. What a look, by the way.

    OK, I have a question to you, have you ever attended any academical course in cinematography? And something completely different: how does the the final HD material shot trough letus look when printed on stock film for distribution? Pretty soon it will not be a problem anyways because most of theaters (cinemas) around are switching to digital projection (oh I wept…), but I am curious if had done that with HD and 35 mm adapter.

    I appreciate your time. Would love to meet you when I am in Europe this coming Spring.

    Best and once again, “respect!”

    Slav

  • Hi Slav.

    Never studied film and never seen my work transferred to film…yet!

    Thanks for kind comments!

    Phil

  • Brief but entertaining biography. Short and sweet. It’s OK, everyone has their moments of third person speak. ;)

    Anyway, it’s nice to see blogs and personal updates from someone as dedicated to video/film craft as you. It gives everyone hope that the world, and the film world for that matter, is not such an alienating place at all times.

    All the best,

    Jon

  • [...] Philip Bloom è DoP, regista ed editor di documentari e short films e negli ultimi due anni si è appassionato [...]

  • Philip,
    when are you going to get a hold of the Sony PDW F800?
    bob

  • i wish i could have that gift what you got from the viewfinder of any camera strikes ¡

    Im from Venezuela and now im living in Paris, journalist and im trying to start making documentaries, but sometimes i do not know how to start and the thing is that the cameras are really expensive so i want to find something good and that i can buy. I have worked with sony z-1 and z-7 but im not a professional i have a lot to learn… got ideas need something to work with… for special budget

    so if you can give me any advice ??
    thank you ¡ and i love your work ¡ congratulations¡

  • Hello from Tokyo,

    thanks for this absolutely wonderful movie: “Alone in Tokyo”. I have seen this film and only thought: “Tadaima” (You say Tadaima in Japan when you coming home).

    If you will come to Tokyo again someday, it would be my pleasure to pay for the dinner.

    Domo arigato gozaimashita

    Oliver

  • would like to know much more aqbout your artistic work

  • Hi Philip

    I recently got in touch with your work, and I simply love it.

    Film and photography have been my two passions for a long time now.
    Everything about it attracts me to learn about it, more and more.

    I had to choose what to study after I finished High School, so I decided to follow the way of Filmmaking.But, I’m worried. I’m not that of a good student, I don’t like what school offers me and puts me up to tasks I really hate to complete.

    I want to do this by myself, without academical courses. But also affraid that there won’t be any employer in the future who will recruit someone just by its passion and has no diploma in his pockets.

    I see you did it all by yourself. Did you encounter many obstacles into making carreer as filmmaker?

    Thanks for taking time to read.
    Hope to hear from you and see more of your work in the future.

    Friendly regards,

    Nico

  • hello, I really like your films, I want to learn to do what you do, I have a canon 500D, and you think you can experiment with it?
    I always liked the movies, but I live here in Ecuador and no film schools, I have many ideas about science fiction films and drama, I would be a topic of how to get to do real movies, I would not lived the rest of my life with the thorn in my heart, thank you …. and I really love your work, you serve me much inspiration, thank you ….

  • Phillip,

    Let me start out by saying how much I love the videos that you produce. They have so much emotion, passion — it shows that the person making the videos truly pours their heart into what they are doing!

    I aspire to do something like yourself, to well, go places that many people have not had the opportunity to go to, and to tell a story — a story about the people there, the things they do, and the world that we live in. Needless to say, I desire to go into the film industry with no class experience — I think that you can learn all you need from the internet, and these things called books that so many of my peers seem to have thrown to the wayside.

    Since you’ve never studied film, did you learn everything from good ‘ol experience and hands-on training?

    I just saw your reply to Nico’s post, I think i’ll search around for your blog post! I’m curious to see what advice you can give about this subject!

    Thank you so much for taking the time to read these posts and reply! It means a lot to the ‘aspiring filmmaker’ to get advice from a guy living the dream.

    Jonathan Seawright

    • I am a big fan of learn on the job. Best way is to shoot as much as you can and learn from your mistakes. Share with others and get feedback! Best of luck. p

  • Hi Phil, just had a browse around the site and was really impressed with the work, very creative and stunning shots.

    I’m a 21 year old creative media student living in the UK hoping to be doing things like you as I grow older and more experienced!

    Keep up the good work, and if you have any advice on how to get any experience I would be very greatful. I have applied for BBC and ITV work experience several times and am always phoning around smaller businesses, but it’s really hard to get my foot in the door!

    Regards,

    Daniel

  • Hi Philip, I’m a new at this game and found out who you are by researching info on Sony’s pmw200 and am wowed by your knowledge, aesthetics and funny attitude about learning the gear. Question: if you had the choice to buy a new pmw200 or a used ex3, which would you purchase and why?

    Thanks for you help and I look forward to your work.

  • Mr. Bloom, your work is amazing! Thank you for the in depth camera reviews and dslr film-making tips! How did you first start out finding contract work?