We have been waiting for this for some time. Rumours of release dates came and went for well over a year. I don’t publish rumours. If I did, this site would be littered with MKIII posts! There are many sites that do that and that is fine. I would rather deal in facts and actual announced products. Well, today it was officially unveiled. There are many questions I have about it, and I have yet to see any footage PROPERLY (i.e. not compressed)…
The MKIII has been desperately needed by many, including me. Why? The full frame aesthetic is so unique and still has a very clear place for me as a filmmaker. I own and adore my C300 but really want a full frame Canon DSLR for all my lenses that has next to no image issues and has a wickedly sharp image! Of course it is also much smaller and is perfect for my timelapses.
From what I have read/ heard, video-wise we have apparently a massive improvement in image quality, not quite moire and aliasing free, but close thanks to a new processor. Minimised jello from the rolling shutter. We have the ability to monitor audio with the much fabled “headphone jack” finally coming to the Canon line. Hurrah! We also have meters on screen and we can change the levels during recording…No news on the quality of the pre-amp. The one in the current Canons is rather…lacklustre. Of course it’s still a 3.5mm input.
We now have clip spanning, so we can record longer than 12 minutes…29 minutes 59 seconds. It won’t go over that due to the ever present EU tax issue. For all but event filmmakers and those long documentary interviews, it’s all we need.
There is timecode now on the camera, although I am not sure what the implementation of it is. Weather sealing is massively improved but will of course be dependent on your lens being weather sealed too so it won’t let the water in there!
It has been reported that we have a camera capable of two more stops of light sensitivity and low light performance only superseded in a Canon camera by the 1DX
Still H.264 recording, with an i-frame codec version but no word on the bit rate. 50p/ 60p is only at 720p (come on now?), there is also no swivel screen and no ability to make you a better filmmaker by owning one 😉
What is key for me, and I hope to clear this up soon, is the ability to get a clean 8 bit 422 uncompressed HDMI signal for using external recorders. EDIT: Am told it’s only 720p out…BOO HISS! Hugely disappointing, considering Nikon have this on their D800 and D4 which I hope to try soon!
As soon as I get more info, I will update this blog post! So many unanswered questions that I hope to have answers to soon. BUT I doubt I can really clear them up until I get my hands on one. I am hoping Canon Australia or Canon New Zealand can help here (that is where I am for the next few weeks!). Making any judgement on a camera based on specs alone is a HUGE mistake by anyone. I did that and so did many others with the C300, and that has turned out to be a camera beast which is now my favourite camera!
Price wise, we are looking at around $3,500 for body only…should be available by the end of March…
Naturally I want one, but I would rather test it out first to see how much improved the image is. Image fidelity is everything to me. I just need to ask Canon to let me get my grubby mits on one to see just how well she performs! Most important thing for me is a sharp detailed image with no issues, as I have already mentioned.
I would love to check this out side by side with the new Nikon D800 and D4 which both have clean HDMI out…might be tricky to get them all in the same room at the same time!
There are some sample videos here…and one embedded below. Disappointing launch videos to be honest. No holy shit “Reverie” here…
Many of you are disappointed. I am not sure what you were expecting. It is after all a stills camera with a video mode. That is what it has to be. The moment the video users outweigh the stills guys, then that could change. But for now, with their amazing C300 prices at 4 times the price of this, there is a clear division in products, and I don’t see how the 1DX fills the middle ground. It doesn’t.
All I can say is thank god for Nikon on announcing their camera which has created competition in the stagnating DSLR market. Nobody wants a monopoly. Competition makes all companies better.
It’s also a smashing time to get yourself a MkII, check Ebay, there will be many and it’s still a fookin’ great camera!
London, UK, 2nd March 2012 – Canon today announces the latest addition to its worldfamous EOS range with the launch of the new EOS 5D Mark III. The EOS 5D Mark IIIbuilds on the performance of the legendary EOS 5D Mark II, offering improved speed,greater resolution, enhanced processing power and extended creative options for bothstills and Full HD movies – providing unparalleled artistic freedom for the most demanding photographers.
Incorporating feedback from photographers worldwide, the EOS 5D Mark III offers improved performance in virtually every area. A new 22.3 Megapixel (MP) full-frame sensor offers the ideal balance of resolution for stills and HD movies and up to 6 frames per second (fps) shooting, whilst a 61-point AF system and 63-zone metering provide greater speed, flexibility and accuracy. Powered by the latest DIGIC 5+ processing technology, the EOS 5D Mark III also features enhanced video functions, offeringimproved image quality alongside greater audio control – redefining creative possibilities for photographers and amateur videographers alike. “The EOS 5D Mark III represents a big step forward for the EOS 5D series” said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. “The EOS 5D Mark II is an exceptional camera and we’ve listened carefully to feedback from its passionate community of users to improve performance in every area. This camera has been designed to meet virtually any creative challenge – it’s faster, more responsive and features the tools to adapt to everything from studio photography to creative videography, while producing results of the highest quality.”
With its comprehensively upgraded specification, the EOS 5D Mark III is the ideal toolfor the growing number of photographers shooting both stills and movies. It incorporates a number of the features launched with Canon’s revolutionary EOS-1D X,providing vastly improved performance, flexibility, handling and durability. The camera’s newly-developed 22.3MP full-frame sensor provides increased resolution and finer detail, enabling the capture of a wide range of scenes, from sweeping landscapes to beautiful portraits. Higher speed continuous shooting also offers expanded creative possibilities. With an increased 8-channel read out, the camera comfortably handles a maximum full resolution speed of up to 6fps in bursts of 18 RAW images or over 16,000 JPEGs1, without the need for additional accessories. Additionally, the sensor’s advanced architecture offers a huge native ISO range of 100-25,600, expandable to 102,400, making it possible to capture clean, high quality pictures, even in extreme low-light conditions.
The EOS 5D Mark III utilises the same 61-point wide-area AF system as the flagship EOS-1D X, providing exceptional sensitivity, precision and speed. One of the most advanced AF systems currently available, it features an impressive 41 cross-type points and five dual cross-type points, providing unsurpassed accuracy across the frame. The customisable AF pre-sets introduced in the EOS-1D X are also available, helping the capture of traditionally challenging subjects, and providing additional reliability in ituations where subject movement can be unpredictable. Highly accurate exposures are provided by Canon’s acclaimed iFCL metering system, which incorporates a 63-zone Dual-Layer sensor linked to each point of the AF system. Focus information gathered from the AF system is analysed alongside colour and luminance signals measured by the metering sensor itself, enabling the EOS 5D Mark III to deliver consistently accurate skin tones and excellent results in a wide range of shooting situations.
Creative performance without compromise
The EOS 5D Mark III features Canon’s latest DIGIC 5+ image processor, which powers a range of new functions without affecting the camera’s performance. 14-bit A/D conversion provides smoother tonal gradation and transitions between colours, while in-camera HDR shooting combines three different exposures and allows one of five preset tone maps to be applied, enabling photographers to capture all the detail in high contrast scenes. With in-camera RAW processing and editing capability, photographers also have the option to immediately begin post-processing their images while still on a shoot. The increased power of DIGIC 5+ also enables a range of tools which contribute to higher image quality. Lens peripheral illumination correction, Lens chromatic aberration correction (lateral and axial) and high ISO noise reduction are all performed in-camera without affecting performance, allowing photographers to continue shooting without any camera lag. Additionally, in-camera image rating via a dedicated button makes it easy for photographers to organise images ahead of post-production. The EOS 5D Mark III features a new Creative Photo button, which enables users to quickly select Picture Styles and capture multiple exposures, as well as offering direct access to the HDR shooting mode. In playback, pressing the Creative Photo button displays a new comparative playback function, displaying two images side-by-side to allow photographers to view, magnify and compare the quality of different exposures mid-shoot. For situations where photographers want to avoid being noticed, such as weddings, the EOS 5D Mark III also features a new silent shooting mode that dramatically reduces the sound of the shutter and mirror, ensuring they can work quietly in the background. A continuous silent mode is also available, enabling photographers to capture fastermoving subjects without attracting attention.
Next generation EOS Movies
The EOS 5D Mark III builds on the reputation of the EOS 5D Mark II, with a range of new features introduced following feedback received from photographers to provide even better Full HD video performance. As well as offering the depth-of-field control loved by video professionals, the new full-frame sensor combines with the vast processing power of DIGIC 5+ to improve image quality by virtually eradicating the presence of moiré, false colour and other artefacts. The addition of a movie mode switch and a recording button also offers greater usability, enabling videographers to begin shooting immediately when movie mode is engaged. Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported. Variable frame rates range from 24fps to 60fps, and the addition of SMPTE timecode support provides greater editing flexibility and easier integration into multi-camera shoots. Users can also check and adjust audio during recording via the camera’s Quick Control screen and a headphone socket enables sound level monitoring both during and after shooting. Enhanced processing power provided by DIGIC 5+ also makes it possible to conveniently trim the length of recorded movies in-camera.
Professional build, easy operation
The EOS 5D Mark III has been built to offer photographers easy-handling and robust build quality. Its lightweight, high-grade magnesium body offers advanced weather proofing for protection against the elements, while the construction of the shutter has also been reinforced, with 150,000-cycle durability making it ideal for repeated, everyday use. An enhanced version of the Intelligent Viewfinder featured in the EOS 7D offers approximately 100% coverage, as well as an on-demand grid display via the builtin transparent LCD. The same reinforced 8.11cm (3.2″) Clear View II LCD screen as used by the EOS-1D X provides high quality framing and playback in all conditions. 1,040k-pixels provide the resolution to accurately check image sharpness and focus, while the gapless structure design introduced with the EOS-1D Mark IV prevents reflections and protects against dust or scratches. A headphone socket and locking mode dial have been included, while the inclusion of a UDMA 7-compatible CF card slot plus an SD card2 slot enables shooting to both cards simultaneously, auto switching when the one in use becomes full and the option to copy images from one card to the other in-camera.
Digital Lens Optimizer – new in Digital Photo Professional v3.11
The EOS 5D Mark III comes complete with the most advanced version of Digital Photo Professional (DPP) yet – Canon’s free, in-box software enabling high-speed, high quality processing of RAW images. New in DPP v3.11 is Digital Lens Optimizer – a revolutionary new tool designed to drastically improve image resolution. Digital Lens Optimizer (DLO) precisely imitates lens performance, with a series of complex mathematical functions replicating each stage of the journey of light through the optical path. Using this information DLO can correct a range of typical optical aberrations and loss of resolution caused by a camera’s low pass filter, by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates exceptionally detailed, high-quality images with highly manageable file sizes, providing photographers with maximum image quality and greater flexibility.
EOS System compatibility
As part of the EOS System, the EOS 5D Mark III is immediately compatible with over 60 EF Lenses, including the EF 24-70mm f/2.8L II USM – the new, essential wide-angle zoom lens from Canon’s famous L-series. The camera is also compatible with a newlyannounced range of accessories designed to offer extended creativity, including the Speedlite 600EX-RT – a high performance TTL flash with wireless radio connectivity. Additionally, the new Battery Grip BG-E11 offers greater handling flexibility alongside the ability to double the camera’s battery life.
Canon EOS 5D Mark III – Key features:
- 22.3 Megapixel full-frame sensor
- 61-point autofocus
- Up to 6fps continuous shooting
- Native ISO 100-25,600 sensitivity
- Full HD video with manual control
- 14-bit DIGIC 5+ processor
- Enhanced Weather sealing
- 8.11cm (3.2-inch) 1,040,000-dot screen
- HDR mode with presets