We shot this short film with the hotrodcameras.com modified 7D PL mount that you can read all about here.
It was shown for the first time at the LA HD-DSLR masterclass I took yesterday in Hollywood that was a great success. Two 4 hour classes one after the other. A lot of fun, killed my voice though!
Jeremy Thomas from Raw Works cut the short and colour graded it and did a great job on it. The crew was minimal about 4 of us in total. 
It was shot using 3 lenses. Two Cooke S4s… 25mm and 100m and a PL modified Tokina 11-16mm for the big wide.
The filming was about 2 and a half hours very early morning at Hollywood Park then another couple of hours at Santa Anita race track. Sound was recorded separately using the Zoom H4n and a Rode shotgun boom. I also used a 6×6 Mattebox and some ND filters. .9 .6 and .2.
Music by Loscil
Song: Charlie
Album: Plume
Do check out the previous blog here for loads more info and behind the scenes photos!










Jeffrey Baird
March 7, 2010 at 16:53Awesome film I think maybe your best – I loved every shot. Looked great on that big screen!
Roman France
March 7, 2010 at 17:01Lovely Phil. You had some great sky boxes in there, just beautiful. That shot of the guy playing what I think was a Trumpet, if not someone will correct me, is just unreal. It almost looks fake the way he’s so separated from the background. Great shots and interview pieces all around, especially love the bit with the old gent talking about his debt. LOL.
Bip Mistry
March 7, 2010 at 17:07Enjoyed the film, very much.
Bip
Robert Strohmeyer
March 7, 2010 at 17:07I will say philip, after watching this on that big screen with theater sound viewing it with my macbook pro is kinda of a let down. Beautiful work! How long will you have the PL mount 7D for or is this the only shoot you will use it for?
Hector Camarillo
March 7, 2010 at 17:13Incredibly beautiful, the pl is definetly a way to go for a real and professional production. Thanks a lot for this piece Phillip!!
Marden Blake
March 7, 2010 at 17:14Man, couldn’t have asked for better overcast. Perfect backdrop. Great job.
mislaw
March 7, 2010 at 17:17It is very characteristic that people who film on 7d shoot to much close ups. They enjoy DOF but its overused.
Respect for your work of course!
Jan Becker
March 7, 2010 at 17:18I still can’t get over the light sensitivity of those sensors.
The early morning shots and the ones in the stables are incredible.
With my Letus it would have been impossible to do without bringing in tons of lights.
Sesa
March 7, 2010 at 17:23N i C E !
Dave
March 7, 2010 at 17:23I will agree, your best work yet. The audio in the interviews was perfect. I really liked the airplane coming closer and the horse riding up.
Sean Duran
March 7, 2010 at 17:32Looks great!
But can you tell us what we should be looking for? To be 100% honest, I can’t see any differences between these lenses and Canon lenses.
I understand these lenses are “easier” to use (at least for someone who’s used to them), but is there really any other benefit?
Volker Ide
March 7, 2010 at 17:43A really awesome film,every pictures tells a story, a good theme, good peoople, good editing. I love to see more and we see how important good lenses are. Never the less, you think you can get the same shots with an Eos550? of course with the same lenses?
Ervani
March 7, 2010 at 17:43Another inspiring film…. Awesome and it gives me the inpsiration and motivation to start recording my first 5D short soon.
John
March 7, 2010 at 17:55Another great film Phil! I’m on the fence between a 5DMKII or 7D and this film gets me leaning more to the 7D. Great low light shots, was it all available light? Impressive how good the 7D looks especially the ability to do 60fps.
I had a last minute change in schedule so could not attend your class yesterday. I’m planning to be in LV for NAB next month, any possibility that you’ll have another class on the west coast around that time?
Keep up your inspirational work.
Nate
March 7, 2010 at 18:02Truly Beautiful.
I’m sure you’ve heard this before, but you are a real inspiration to a great number of film makers out there! It would be a true honor to meet you someday
Keep up the good work!
Jordan Thistlewood
March 7, 2010 at 18:04Phillip and Jeremy,
Beautiful work guys. What a great thing it is to do work that you love and it shows in the final product. Phillip, did you find any challenges in the weight distribution of the Cooke lenses given their obviously larger dimensions? Or were they not that much heavier than the Canon L series glass?
Regards,
Jordan
Catarina Afonso
March 7, 2010 at 18:07Hi! Congratulations, great work! I was just wondering, where do you buy the royalties for the soundtracks you use?
Ronald Vonk
March 7, 2010 at 18:09Good piece. I like how it starts off slowly to give a taste of the atmosphere, followed by letting us meet the different beings that hang around the place. The ending was a little sudden for me, I might have expected to see something of the end of the day there, with the people gone again, and light fading.
Nice titles, too, by the way.
pbloom
March 8, 2010 at 00:23that would have been ideal but I had such limited time as had to fly back to the bay area straight after!
Manus
March 9, 2010 at 09:40yes titles were very very cool!
David Rilstone
March 7, 2010 at 18:35Great detail in the early morning shadows within the stables. Scheduling that jetliner for the sunrise shot was pure genius — you must’ve yanked a few strings to pull that one off!
Carlos R. Dueñas
March 7, 2010 at 18:44Maravilloso! Its indeed a wonderfull job. Inspiring. Its really cool to follow all your post because its the way to learn how, and at the same time, to enjoy lovely pieces like this one. Thanks.
Francis Coral - Mellon
March 7, 2010 at 18:56Fantastic. You guys just keep pushing the envelope. The integration of the ambient sound was quite magical.
Morgan
March 7, 2010 at 19:02Loved the close-ups – beautiful. Lots of great shots: the dust from the guy raking the hay, reflection of the horse in the puddle, the black cat, trumpet man, the old betting dude … did you use noise reduction software like neat video at all ?
Fat Elvis
March 7, 2010 at 19:13Great work Phil, I was looking forward to seeing this one. One question, there seems to be a lot of noise in the opening shots, is that with compression or were you simply trying to push as far as you could in low light to test the lenses on the 7D? Maybe it’s just me but it seems noisier when compared to your other films.
Would love to have been there to watch this on the big screen. Thanks for forging the way with these cameras.
Arthur
March 7, 2010 at 19:16Wonderful Phil really wonderful. I really love these old glasses but the most important thing is the talent u have in the back of the camera. The movie has his own spirit and pulsation witch is achieved with the touching images, great background music and a right edit. Congratulation again.
Serge Taveras
March 7, 2010 at 19:17I really enjoyed it Jeremy did an awesome job in post, But it was a bit slow for me and kind of a bit too dark in some sections, I know it was sunrise and all but still…
It didn’t have that Bloom-ness to it.
Faun
March 7, 2010 at 20:04Great movie. Great lenses. Great work. Bravo!
Castroy
March 7, 2010 at 20:21Love it !
Michael LaFortune
March 7, 2010 at 20:28Excellent work Philip. It played as a mini doc and I agree, maybe your best work to date.
Cheers.
david
March 7, 2010 at 20:37Beautiful DOF and Color Grading!
santiago
March 7, 2010 at 21:00The cinematography is insane!! that’s some hell of a glass!!
next stop for Mr Bloom….Hollywood!
TimFok
March 7, 2010 at 21:06Wow, stunning stuff. The close ups of people looks identical to film (with a little less saturation). Wides still looked great, but didn’t have me up and out of my seat like the close ups did.
roemer
March 7, 2010 at 21:24*&^%&^%^ (sensored), now that’s amazing… what did you do color wise?
zack mctee
March 7, 2010 at 21:28The trumpet blower shot is absolutely beautiful.
Great work all around, I’m hoping that the Zeiss ZE Prime IIs really do cover the full 5D sensor with no vignetting, I’d really love to shoot with cinema lenses on the 5d.
Lance
March 7, 2010 at 21:45Wow! My favorite video guy covering my favorite hobby. Wonderful work Phil. When are you going to do a class on the US East Caost? Cheers!
paolo iannuzzi
March 7, 2010 at 21:55everytime you post a video i need to spend a moment to say how is awesome!
great work philip!
Ítalo Brito
March 7, 2010 at 22:02I can’t believe that’s the 7D, so beautiful. Outstanding grading work, was it MBL? I was skeptical when I first saw the 7D PL mount, thought the Canon lenses probably had a very similar quality. I guess I couldn’t be more wrong.
Philip, earlier you mentioned you are doing the sharpening in post. Are you using the default FCP Sharpen tools? Are you also doing any denoising?
Cheers.
Roman France
March 8, 2010 at 01:50L lenses to me appear to be a fair bit softer than other lenses (video), namely Zeiss, Nikon, and Leica. This is especially true when projected I’ve noticed. Though I have not seen how these PL lenses perform, but for 3x and WAY beyond the price of L glass, it’s no surprise they are much better performers.
au8ust
March 7, 2010 at 22:30Just awesome!
Doug H
March 7, 2010 at 22:31By the far the best short I’ve seen you do yet. Just brilliant.
Andrew Howe
March 7, 2010 at 22:59Great work Phil – beautiful images and fine interviews. You could have had a career in news work I reckon
What do you find the main advantages of using these PL lenses. Shane Hurlbut has written about the advantages of the best optics when it comes to retaining resolution for colour correction. Are you finding that with these Cookes? It certainly looks like it from the end result.
Victoria Taylor-Gore
March 8, 2010 at 00:05…just gorgeous.
Jamie Williams
March 8, 2010 at 00:18I agree with Jeffrey, your best yet Mr. Bloom and great job Mr. Thomas.
JFreshInEffect!
March 8, 2010 at 01:37This one is my favorite of yours so far…Something about those brief interviews. They are short but say so much about the subject. Stunning visuals.
Jared Abrams
March 8, 2010 at 02:05This looked so amazing on the big screen. Thanks Philip. Check out the interview with Philip Bloom at http://www.cinema5d.com
Jay V
March 8, 2010 at 02:43Phil, that was beautiful!
Please tell me you’re going to do a feature length doc soon.
P.S. How wide were you shooting on the Tokina?
C.T.Daniel
March 8, 2010 at 06:03how are these filters as compared with Singh Ray or vary ND? are most effective?
You had problems with vignetting at 11-16?
thanks
Nelson Manning
March 8, 2010 at 06:06Thanks Phil for taking the time to learn how to ask the right questions, to let people say what they need to say.
Danny Cooke
March 8, 2010 at 07:03Very good film. It captures the atmosphere perfectly. A question if you please; I noticed on vimeo it’s a 1080p download. For the 60p 720p shots do you conform them in Cinema Tools to get 50% (like in your previous guide) then convert to prores 422 1080p?
Adam Loretz
March 8, 2010 at 12:31That was very nice (watched straight after District 9 – FOOK!). Liked the color grade-washing the horses and the trumpet player. Tidy edit too, liked the rhetoric, and the sound bites captured some of the personalities at the event.
mike kobal
March 8, 2010 at 15:07c’est Bloomifique, totally inspirational. Philip, you are the man.
Ulas
March 8, 2010 at 18:40Footage is great as usual, but i’d prefer your edit..
james
March 9, 2010 at 13:58hi philip. i have a 5d with the 24-105mm kit lens, im finding the weight of the lens a bit of an issue when using the glidetrack 1m version)
im a bit of a beginner when it comes to shooting video, and was thinking maybe i should sell the lens as i dont think its the best lens for video.
i think id get 4-500 quid for it, its in great nick.
then, i could buy a couple of second hand lenses but im not sure what to go for…
i know i love shooting wide but they are so expensive.
and i know i’ll be needing a fast lens as i love shooting in low light.
i was also thinking about selling both the camera and the lens and going for a 7d, this would then leave me with about 6 or 700 quid for lenses.
then maybe get a tokina 11-16mm and a canon 50mm 1.4 or a 1.8?
then again, it feels like a waste going to a “lower grade” camera, even though the 7d is great.
id really appreciate your thoughts on this.
thanks in advance.
Peter B
March 9, 2010 at 16:31What t/f-stops were you shooting at?
pbloom
March 10, 2010 at 18:53it varied. often t2 or stopped down
Ehtasham Mallick
March 9, 2010 at 20:58Footage is awesome no one can beat Philip’s eye behind the monitor….. but for $150,000 lenses
……. this can be easily and beautifully achieved on Ziess or Nikon lenses which are under $10,000…… I see no point in getting a PL mount and spending $140,000K extra
Dan Kanes
March 9, 2010 at 23:45Really nice work using the Hotrod Cameras PL7D Philip.
Glad that Ilya and I could contribute to something you shot!
I linked to it from my blog here:
7DCinema
Paul
March 10, 2010 at 12:48This is really great stuff – clean and beautiful shots. I enjoyed watching it.
Videomac
March 10, 2010 at 13:51has anyone heard of http://www.easom.com???
Videomac
March 10, 2010 at 13:52by the way how can I put a picture in my profile?
pbloom
March 10, 2010 at 18:52gravatar.com
Videomac
March 11, 2010 at 02:16thanks
Cody Easom
May 6, 2010 at 09:33Yes its my brothers site. We make DSLR Cinema Cages and a few other Support bits. What do you think of the gear?
STR
March 11, 2010 at 23:28Amazing job Phil , really impressed by the colours – was much grading done / what software ?
Also noticed in some of the BTS shots you were using what looked like a Miller Compass Head tripod ( fluid gearing ) how did you find it??
- Loved the last shot and Trumpet man shots wicked Dof + Colours.
Cant wait to see whats next.3
pbloom
March 14, 2010 at 17:33I love that new compass head. beautiful. It was graded professionally by Jeremy. Don’t know what he used, but it was top end stuff as he converted to HQ pro res.
asdf
March 12, 2010 at 12:20at 4:50…man..amaaazing
ryan pallotta
March 13, 2010 at 07:16When can we see a review on your anamorphic adaptor you ordered?
james
March 14, 2010 at 12:27hi philip.
just wondering, do you record in 720p muc these days?
just asking as i dont see it much in your work.
regards
james.
pbloom
March 14, 2010 at 17:26There are two shots in 720p in this, but to be honest I don’t really like the 720 much due to the excessive aliasing
Anton Lorimer
March 15, 2010 at 20:52Amazing work, really a visual feast. Beyond your equipment and technical abilities, this really showcases your view of people and passions. A perspective that cant be taught. Thanks for sharing!
pbloom
March 16, 2010 at 02:17thanks so much Anton
Jeremy Bartel
March 16, 2010 at 13:47Incredible. You’re an inspiration.
Dane
April 8, 2010 at 05:43These lenses seem to resolve much more contrasty than L series lenses… But was that just the grading? Hard to tell…
pbloom
April 8, 2010 at 06:10its been graded so impossible to see.