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	<title>Comments on: Scarlet announcements&#8230;no cameras till next year.</title>
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	<link>http://philipbloom.net/2009/11/30/scarlet-announcements/</link>
	<description>Filmmaker, DP, Director</description>
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		<title>By: Cinema 7D</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-43956</link>
		<dc:creator>Cinema 7D</dc:creator>
		<pubDate>Sat, 20 Feb 2010 22:52:22 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-43956</guid>
		<description>I agree with you 101%... lmao</description>
		<content:encoded><![CDATA[<p>I agree with you 101%&#8230; lmao</p>
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		<title>By: Cinema 7D</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-43955</link>
		<dc:creator>Cinema 7D</dc:creator>
		<pubDate>Sat, 20 Feb 2010 22:48:48 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-43955</guid>
		<description>The cool thing about the 7D is that you don&#039;t need an adapter to get the DOP that we all want, but of course this is more for web shooting. Now if i&#039;m going to spend the money on an EX1 or EX3, I would just go buy the scarlet (RED) the bottom line is that video will always be video, for me if I&#039;m shooting for the web I am happy with the 7D, now if I want to do more than that.. then I would get the Scarlet because the DOP, now if you shooting not for the film style then yes I will stick with a video camera.</description>
		<content:encoded><![CDATA[<p>The cool thing about the 7D is that you don&#8217;t need an adapter to get the DOP that we all want, but of course this is more for web shooting. Now if i&#8217;m going to spend the money on an EX1 or EX3, I would just go buy the scarlet (RED) the bottom line is that video will always be video, for me if I&#8217;m shooting for the web I am happy with the 7D, now if I want to do more than that.. then I would get the Scarlet because the DOP, now if you shooting not for the film style then yes I will stick with a video camera.</p>
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		<title>By: morkus</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-35062</link>
		<dc:creator>morkus</dc:creator>
		<pubDate>Mon, 11 Jan 2010 01:23:55 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-35062</guid>
		<description>I&#039;m a little confused by the HDSLR revolution. Is it not true that the video resolution of the Canon 7D and 5DM2 is a lot less than the Sony EX1 &amp; EX3. 
Forget the workflow for a sec. I want to know the picture merits.

I&#039;ve seen this;-
http://www.dvxuser.com/V6/showthread.php?t=186334

Is this true?
So is it wise to stick with EX3 or sell up and buy one of each of the Canons?</description>
		<content:encoded><![CDATA[<p>I&#8217;m a little confused by the HDSLR revolution. Is it not true that the video resolution of the Canon 7D and 5DM2 is a lot less than the Sony EX1 &amp; EX3.<br />
Forget the workflow for a sec. I want to know the picture merits.</p>
<p>I&#8217;ve seen this;-<br />
<a href="http://www.dvxuser.com/V6/showthread.php?t=186334" rel="nofollow">http://www.dvxuser.com/V6/showthread.php?t=186334</a></p>
<p>Is this true?<br />
So is it wise to stick with EX3 or sell up and buy one of each of the Canons?</p>
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		<title>By: Blackshirt</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-29449</link>
		<dc:creator>Blackshirt</dc:creator>
		<pubDate>Mon, 14 Dec 2009 16:25:45 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-29449</guid>
		<description>Agreed! Why are we even comparing VDSLRs and the Scarlet again? Apples / Oranges. Both can make films but only if you get away from your computer long enough to make one.</description>
		<content:encoded><![CDATA[<p>Agreed! Why are we even comparing VDSLRs and the Scarlet again? Apples / Oranges. Both can make films but only if you get away from your computer long enough to make one.</p>
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		<title>By: Myles</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27724</link>
		<dc:creator>Myles</dc:creator>
		<pubDate>Sun, 06 Dec 2009 08:55:05 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27724</guid>
		<description>The most sensible comment I&#039;ve read in a while.</description>
		<content:encoded><![CDATA[<p>The most sensible comment I&#8217;ve read in a while.</p>
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	<item>
		<title>By: Bip</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27489</link>
		<dc:creator>Bip</dc:creator>
		<pubDate>Sat, 05 Dec 2009 07:21:18 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27489</guid>
		<description>Perhaps the vDSLR world of Canon Nikon Sony etc will be more affordable and established by the time Red&#039;s media hyped approach actually delivers sthg that filmmakers can use, enjoy and feel the company is delivering genuine news about its products etc...
BIP.</description>
		<content:encoded><![CDATA[<p>Perhaps the vDSLR world of Canon Nikon Sony etc will be more affordable and established by the time Red&#8217;s media hyped approach actually delivers sthg that filmmakers can use, enjoy and feel the company is delivering genuine news about its products etc&#8230;<br />
BIP.</p>
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		<title>By: Roman France</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27396</link>
		<dc:creator>Roman France</dc:creator>
		<pubDate>Fri, 04 Dec 2009 21:28:20 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27396</guid>
		<description>I mean I don&#039;t see why there&#039;s this belief that this DSLRs can&#039;t be used for proper theater viewing. Aliasing is a digital thing, once its transferred and printed to film it&#039;s not a problem anymore. As far as RED goes... meh call me when its actually out.</description>
		<content:encoded><![CDATA[<p>I mean I don&#8217;t see why there&#8217;s this belief that this DSLRs can&#8217;t be used for proper theater viewing. Aliasing is a digital thing, once its transferred and printed to film it&#8217;s not a problem anymore. As far as RED goes&#8230; meh call me when its actually out.</p>
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	<item>
		<title>By: Myles</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27249</link>
		<dc:creator>Myles</dc:creator>
		<pubDate>Fri, 04 Dec 2009 04:28:07 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27249</guid>
		<description>Just waiting for the Scarlet Downfall video.</description>
		<content:encoded><![CDATA[<p>Just waiting for the Scarlet Downfall video.</p>
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		<title>By: Gareth Evans</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27036</link>
		<dc:creator>Gareth Evans</dc:creator>
		<pubDate>Wed, 02 Dec 2009 10:31:34 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27036</guid>
		<description>I totally agree Mike, really well put. I hardly know any professionals who are as open and as helpful as Philip and I will add that he has helped me a great deal over the last year.
For me, and like you said above, picking the appropriate tool for the job is how I work. At the moment I use the 5DMKII for my work, as the jobs I mostly do are web based promo videos, and the 5D is perfect for that. When it comes to a more filmic job I love using my Canon XL2 with letus adaptor and the clients like the results.

I feel the arguments people raise and the criticism they give about &quot;this camera is better than that camera&quot; and &quot;the people who use them dont know what they are talking about&quot; will never stop, but most importantly it will never influence my choice on what camera is best for the job.

There are flaws in every camera but i feel that it is these flaws that make you a better camera operator/director as you successfully get around the problems and and achieve the shots you were aiming for.

thanks
Gar</description>
		<content:encoded><![CDATA[<p>I totally agree Mike, really well put. I hardly know any professionals who are as open and as helpful as Philip and I will add that he has helped me a great deal over the last year.<br />
For me, and like you said above, picking the appropriate tool for the job is how I work. At the moment I use the 5DMKII for my work, as the jobs I mostly do are web based promo videos, and the 5D is perfect for that. When it comes to a more filmic job I love using my Canon XL2 with letus adaptor and the clients like the results.</p>
<p>I feel the arguments people raise and the criticism they give about &#8220;this camera is better than that camera&#8221; and &#8220;the people who use them dont know what they are talking about&#8221; will never stop, but most importantly it will never influence my choice on what camera is best for the job.</p>
<p>There are flaws in every camera but i feel that it is these flaws that make you a better camera operator/director as you successfully get around the problems and and achieve the shots you were aiming for.</p>
<p>thanks<br />
Gar</p>
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	<item>
		<title>By: Thomas Demirian</title>
		<link>http://philipbloom.net/2009/11/30/scarlet-announcements/comment-page-1/#comment-27035</link>
		<dc:creator>Thomas Demirian</dc:creator>
		<pubDate>Wed, 02 Dec 2009 10:18:38 +0000</pubDate>
		<guid isPermaLink="false">http://philipbloom.co.uk/?p=6647#comment-27035</guid>
		<description>But what will happen to the red one? The way I se it the scarlet s35 has a bigger sensor, is smaller, half the price and better codec and framerates. 

Have I missed something or is the red one still better than scarlet s35?</description>
		<content:encoded><![CDATA[<p>But what will happen to the red one? The way I se it the scarlet s35 has a bigger sensor, is smaller, half the price and better codec and framerates. </p>
<p>Have I missed something or is the red one still better than scarlet s35?</p>
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